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Installation view, exhibited at Koo Ming Kwon Exhibition Gallry, "Time Limited News", 2024
Hyper-
2024
Oil Pastel and crayons on film prints, tracing papers, and found objects;
Laser cut print on acrylic board
Size varied
****The exposure & highly saturated colour **** engulfed my subconscious.
I used the root word “Hyper-“ as the title of this series of work , which is inspired by my automatic drawing methodology. Scribbling is an important part of the thinking process of my practice. The scribbles adheres to the surface of objects. It picks up the forgotten and neglected contents. This is a process of de-definition and re-valuation. It does not have a concrete meaning, but it makes you aware of the layers behind the surface.
There’s some associated words in my mind:
hyperobject
hyperscribble
hyperimage
hyperlink
…
****曝光與高飽和色彩****將我的潛意識吞噬。
這一組作品用了「hyper-」這個字根作為標題,靈感來自於我自動化繪畫的方法論。亂塗亂畫是我藝術實踐的思考過程中很重要的一環。它附著於在物體的表面上,將那些被遺忘與忽視的內容重新拾起。這是一個去定義與重新價值化的過程。它沒有一個具體的意義,但是它讓你意識到表面背後的層次。

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Work details
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